Friday, March 20, 2020

Hemingway and Art Essays

Hemingway and Art Essays Hemingway and Art Essay Hemingway and Art Essay Essay Topic: Pulp Fiction The Sun also Rises Name: Instructor: Course: Date: Hemingway and Art Ernest Hemingway was an influential artist of the 20th century. He was an author and a journalist and most of his individual works inspired the rise of fictional writing throughout the 1900s. As an author, Hemingway’s writings were influenced by the various events that occurred in the 20th century, particularly the First World War. His experience of the war and the influence of modernism were the fundamental aspects that led to Hemingway’s use of pulp fiction to establish meaning through dialogue and action. Regarding art, it is essential to assess Hemingway’s stories as illustration of forms of art through comparison with another formidable painter of the 20th century, Thomas Hart Benton. The main art form that Hemingway used in his writing was the iceberg theory (Theory of Omission). Through this type of writing, Hemingway believed that he could describe an action and at the same time express a dissimilar message regarding the action. For instance, in his book, Big Two-Hearted River, Hemingway uses the iceberg theory by concentrating on Nick Adams’ action of fishing and at the same time asserting Adams’ concentration on fishing to the degree of ignoring the repulsiveness of his experience of war (Hemmingway, 101). Moreover, most of his content was based on his experience of the First World War, which led him to the incorporation of realism in his works while using fictional events to assert the themes he portrayed. Apparently, his writing style used the concept of imagery and symbolism by creating patchworks of images to convey meaning. Thomas Hart Benton was another prominent artist of the 20th century. His works were mostly paintings that defined the Regionalist Art movement. Regionalism, as the name suggested, sought to capture the American rural life (Wolff, 67). Despite both artists being born in the same period, their forms of art were different. While Hemingway embraced modernism, Benton adapted regionalism. There were several similarities between the two artists. Both artists captured the pioneer aspect of the American society. For instance, Ernest Hemingway, in his book, The Sun Also Rises includes the American West, which remains to be the epitome of America in the 1930s (Hemmingway, 96). Similarly, Benton captured the life of rural America by painting the daily life of inhabitants of the American West. For instance, the completed Independence Murals of 1962 by Benton addressed different aspects of the American West (Wolff, 200). The art form Hemingway utilized sought to attach a different and compounded meaning to something that seemed meaningless. The use of the iceberg theory allowed Hemmingway to exemplify the social purpose of his art form by addressing various social issues such as the effect of World War I, emancipation of women, existentialism and death. Benton’s art form of Regionalism addressed controversial issues such as racism through his depiction of the Ku Klux Klan in the Indiana Life murals (Wolff, 307), slavery and the oppressed rural inhabitants of America. Both artists used art as a means of expressing meaning on the views they sought to exemplify. To both, art was art if it possessed meaning. However, with the advent of abstract expressionism, which led to the extinction of regionalism, art no longer required meaning. Hemingway, through his art, sought to include content as well as form in order to couple the use of his omission theory to complement the subjects he addressed. The s ame goes for Benton who, through regionalism, blended the issues addressed by incorporating his form in his paintings. Civic responsibility involves social responsibility as well. Comparing with Hemingway and Benton, artists have a civic responsibility to the society by engaging in social participation through their compositions. Since civic responsibility is democratic, artists can project their own opinions through their works. Ernest Hemingway, through his experience as a journalistic correspondent, harnessed his writing skill. As an artist, Hemingway achieved both positive and negative criticism through his works. The same goes for Benton, who achieved positive criticism and negative criticism due to some of his paintings. However, every artist is entitled to their opinions since it forms the basis of their artistic impressions regarding their views. The freedom of art permits artists to capture anything and twist it to relay inner and authentic expression. a) The Independence Murals b) â€Å"Parks, the Circus, the Klan, the Press† in the Indiana Life Murals Hemingway, Ernest. Big Two Hearted River; Homage to Ezra Pound. Paris: This Quarter, 1925. Print. Hemingway, Ernest. The Sun Also Rises. New York: Scribner, 1996. Print. Wolff, Justin. Thomas Hart Benton: A Life. New York: Farrar, Straus and Giroux, 2012. Print.

Wednesday, March 4, 2020

7 More Fixes for Dangling Modifiers

7 More Fixes for Dangling Modifiers 7 More Fixes for Dangling Modifiers 7 More Fixes for Dangling Modifiers By Mark Nichol Some time ago, I pointed out the perils of dangling modifiers, presenting sample sentences and offering annotated revisions. Unfortunately, my stock of such specimens, discovered in the course of my editing work and in leisure reading alike, has grown rather than diminished. I therefore here inflict another set of them on you, one of as many rounds as are necessary to finally eradicate dangling modifiers from the face of the Earth. As a guest columnist for DailyWritingTips explained quite well in her post on the topic, â€Å"The dangling modifier is usually a phrase or an elliptical clause (a dependent clause in which some words have intentionally been left out), often at the beginning of a sentence, that either doesn’t modify anything specific in the sentence or modifies the wrong word or part of the sentence.† Here’s a dissection of sentences entangled by dangling modifiers: 1. â€Å"Drawn from a series of wildly popular cookbooks, international culinary celebrity, Australia-based Steve James, presents practical versions of the world’s greatest vegetarian cuisine.† The sentence implies that the celebrity in question is drawn from the cookbooks. Whenever you’re confronted with such a contextual contortion, start with the subject. While you’re at it, level the adjectival stack by relaxing the person’s description: â€Å"Steve James, an international culinary celebrity based in Australia, presents practical versions of the world’s greatest vegetarian cuisine drawn from a series of wildly popular cookbooks.† 2. â€Å"Once used to store ice, food, and alcohol, guests can still explore the mine and enjoy its cool temperature all year round.† Guests can consume ice, food, and alcohol, but they can’t store it. That’s the mine’s job, so recast the sentence to say as much by, as in the previous example, simply starting with the subject, followed by the reference to its earlier purpose: â€Å"The mine was once used to store ice, food, and alcohol, and guests can still explore the tunnels and enjoy their cool temperature all year round.† 3. â€Å"Originally founded as a purveyor of trinkets for Japanese festivals and carnivals, the company’s rise to prominence began in the early 1970s.† The use of a possessive form of a noun immediately after an introductory modifier is a screaming sign of a syntactical screw-up. The subject of the sentence is not â€Å"the company,† but â€Å"the company’s rise to prominence,† so it is the company’s rocket to stardom, not the company itself, that is incorrectly being identified as having been founded. Recast the sentence so that the company itself, not its ascendancy, is the subject: â€Å"The company, originally founded as a purveyor of trinkets for Japanese festivals and carnivals, rose to prominence beginning in the early 1970s.† 4. â€Å"As your mortgage loan originator, you will receive the benefit of my lending experience and ongoing education to help guide you throughout the entire loan process.† I’ve heard of self-service, but this is ridiculous. This sentence seems to be confused about the identity of my mortgage loan originator, who (in this case, anyway), inappropriately puts the customer first. The writer is offering their expertise, so the subject must be a first-person pronoun: â€Å"As your mortgage loan originator, I offer you the benefit of my lending experience and ongoing education to help guide you throughout the entire loan process.† 5. â€Å"While going to the bar one last time, my ‘Mike Johnson’ campaign sign accidentally falls out of my jacket pocket.† The writer’s â€Å"Mike Johnson† campaign sign has obviously gone to the bar too many times already if it can’t prevent itself from falling out of his jacket pocket. The writer must introduce themselves into the modifier to make it clear that they, not the sign, are frequenting the bar: â€Å"While I’m going to the bar one last time, my ‘Mike Johnson’ campaign sign accidentally falls out of my jacket pocket.† (Also, the quotation marks around the candidate’s name are optional, but because those words are presumably featured on the sign, the marks are appropriate.) 6. â€Å"Bordered by Libya, Sudan, Niger, Nigeria, Cameroon, and the Central African Republic, the CIA list for natural hazards includes ‘periodic droughts and locust plagues,’ which places Chad in a proper biblical context.† Chad, not the CIA list, is bordered by the other named nations, so why is it relegated to the end of the sentence? Introduce it, appropriately, in the introductory phrase: â€Å"The list of natural hazards for Chad, bordered by Cameroon, the Central African Republic, Libya, Niger, Nigeria, and Sudan, includes ‘periodic droughts and locust plagues,’ which places the nation in a proper biblical context.† (Notice, also, that I reordered the heretofore randomly listed names of countries alphabetically; for geographical entities, a sequence corresponding to relative location is also appropriate. Avoid arbitrarily ordered lists.) 7. â€Å"Since releasing their 2002 debut, the biggest criticism directed at the band has been that they couldn’t replicate their raucous live energy in the studio.† Is â€Å"the Biggest Criticism† the name of the band? No. The unnamed band released the debut, so the sentence must be heavily revised to shift â€Å"the band† to immediately follow the introductory modifier: â€Å"Since the release of their 2002 debut, the band has been the subject of criticism, primarily that it couldn’t replicate its raucous live energy in the studio.† (Also in American English, at least a band is a single entity and should be referred to by single pronouns.) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:20 Types and Forms of HumorLatin Plural EndingsThe Difference Between "Shade" and "Shadow"